z
zeldathemes
the hobbit rides the pony

I am Abby and I am from England: I'm 16, and I love Martin Freeman. This is a multifandom blog mainly consisting of whatever, mostly sherlock. Feel free to message me, only not about the gap year post. Please google that :) I study drama intensively and hope to become a TV actress when I leave school, and I love sweets maybe a little too much. If you want to follow an awesome Irish person check out Ciarasaurs...



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sannapersikka:

Why did they target me?

schnaeffchen:

bloody-men-with-blue-eyes:

hopeinrecovery:

OH MY GOD THIS IS MY MOST FAVORITE THING HEL P ME

OK this whole gif thing is starting to get out of control.

But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn’t trade it for the world. You gave me a forever within the numbered days, and I’m grateful.

[+]

thegeek531:

All of this.

thegeek531:

All of this.

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:
Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.
We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.
Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

fuckyeahfightlock:

So I honestly can’t believe I’ve never seen anyone talking about the art direction of this scene. If I’m repeating something, Ah,well. But I’ve honestly never seen it pointed out that this is the very first time we see Mary, and there are three important things here:

Mary reaches for John’s hand. John takes it, of course—he is used to being offered comfort for his loss, by now—but he is not reaching out to her for comfort in his sadness. She is inserting herself into his grief. Reflexively, he lets her.

We only see the back of her. It’s unusual to introduce a major protagonist any other way than by showing their face pretty much immediately. A major antagonist, however…a baddie…well, they often are introduced in a cloud of cigarette smoke, from a distance, in the shadows, as a mysterious voice on a phone, or in some other way that doesn’t tell us right away who they are. Our first glimpse of Mary gives us only the most vague information about her. Obviously a woman, obviously someone John is close to, as he holds her hand. Other than that…who is she? We don’t know.

Finally, it’s no mistake she is wearing a long, grey coat which flares slightly from the waist, and a blue scarf. But they are paler shades of those colours than Sherlock’s coat and scarf were, because Mary is but a pale imitation of the person we are used to seeing standing beside John Watson (even once, when they were handcuffed together, holding John Watson’s hand in a manner similar to what we see here). Her coat and scarf look cheap, “less than,” and her denim jeans are “less” than Sherlock Holmes’s designer trousers. Her dark hat is a visual echo of Sherlock’s dark hair. This whole shot is set up not only to remind us that Sherlock used to stand here at John Watson’s side, but also that This is some lesser, fake, replacement-Sherlock standing at John Watson’s side, and whether consciously or unconsciously, John has chosen a pale imitation indeed.

krvsty:

peacocks look like they speak french

freckled-tree:

misscokebottleglasses:

Hey remember that one time I didn’t give a fuck what assholes thought and I decided to wear whatever the fuck I want because I’m pretty damn cute? Cuz I sure do.

Jesus christ you’re cute

Sherlock fandom:

baker-street-ashtray:

imageimage

*except magnussen but fuck him he flicked john in the face

missyay:

nazerine:

excessivecompulsive:

nazerine:

the anti vaccination movement basically consists of random people with no knowledge of medicine going “I can medicine better than doctors” and it would be hilarious if it wasn’t literally killing people

you dont need vaccines, I havent had any and Im still doing great

wow, what a compelling argument. you’ve got me

in other news, i am still alive therefore death must be a myth

thebloggerbloggerfun:

Castiel through text posts.

jawnsnough:

varysbueller:

#i really don’t know which face is funnier in the last one

#wait am i his dad
#wait are you my dad